Day 33: Salvador
Despite being in his mid-sixties, he has remained taut and fit and can still do the moves fluently. The respect on the faces of his pupils today, from young ones of five or six to men in their twenties, is unequivocal. And that's important to him. He's been living and working in this favela for many years now and knows the importance of order and discipline in lives all too often lacking either. Every- one in the class is dressed in clean white T-shirts and well-pressed trousers. No one looks poor. No one looks rich. First off, the Mestre takes the youngest ones, both girls and boys, and prowls, lithe as a tiger, talking gently but persuasively as he does so, asking them questions and smiling reassuringly as they give their answers. His aim is to get them loose and relaxed. He encourages them to imitate the movement of animals, alert and wary.
On the walls of this rooftop space are trophies he and his school have won, and a poster of a capoeira high-kick with the caption, in English, 'A dance-like fight, a fight-like dance. A song. A way of life.'
Mestre Boa Gente is now ready for some capoeira moves. He takes up his berimbau, a gawky-looking instrument comprising a curved bamboo bow just over a metre long with a gourd attached at one end, which acts as the sound box. It has one wire, recycled from the lining of reinforced tyres, a stone which acts as a bridge and a thin stick with which to produce the sound from the wire. At the same time he clasps in one hand a small basket of beads which he shakes as he plays. One of his helpers taps away at a tom-tom, and the children begin the dance moves. It's one to one and the idea is to be as aggressive as possible without making contact. Hitting each other would be easy, but it's not hitting each other that makes capoeira such a skill. Later in the afternoon the Mestre has laid on a public display by his best Academicians but for now he dismisses the children, climbs back down into his house on a precarious ladder with one rung missing, and crosses the street to his day job, as a presenter for Vale das Pedrinhas Radio.
'A Voz do Vale das Pedrinhas' – 'The Voice of Vale das Pedrinhas' – is housed in a small, white building with a wooden shutter on the front which opens upwards as in an old cricket score box. The Mestre, who has travelled the world with his capoeira school, invites me on his show as a visiting celebrity. The audience, as far as I can tell, is confined to this favela – indeed largely consists of those within direct earshot of the building we're in. I can hear my voice booming out into the hot and dusty streets below. This is fine when we're talking about Elvis and world peace but is a little alarming when the Mestre turns serious.
'Michael Palin, you have travelled all over the world. You are a famous man. What do you think of gay marriage?'
This is so out of left field that for a moment my lower jaw goes into free-fall. As I phrase my reply I think of whom I shall offend most, Catholics or Brazilian- Africans of a superstitious bent to whom homosexuality is an abomination. I hear myself clear my throat and then launch into my reply. The Mestre, to his credit, shows neither shock nor approval as I speak of love being the important thing between human beings, and if the two human beings involved are both men, well, there's nothing wrong with that. The Mestre nods, and I feel to my relief that I've got away with it. Now can we please talk about Elvis again?
'And abortion?' Is it me or is it suddenly very hot in this little studio? Again I express the classic liberal position and can sense his disappointment. Reasonableness is the last thing he wanted. So un-Brazilian. But the Mestre is moving on, flicking down his computer screen, and I've never been so happy for an ad break.
Choose another day from Brazil
- Series: Brazil
- Chapter: Day 33: Salvador
- Country/sea: Brazil
- Place: Salvador
- Book page no: 141
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